Sit inside a giant bird’s nest, fantastical in size, and listen to a composed soundscape of juxtaposed environmental sounds. The nest is constructed using traditional weaving techniques, taking inspiration from the way that… Continue reading
Paper Weights is inspired by The Rime of the Ancient Mariner and is entirely composed with samples of paper – rustling, scribbling, flicking, tearing. The delicacy of the sounds you may expect to emerge… Continue reading
From 26-28 February 2014, my series of paintings titled Access Denied was featured in the Open Wall exhibition at Façade, a pop-up gallery housed in a disused bank in the heart of London’s… Continue reading
Transatlantic Pulse – solo percussionist with electronics. Throwing Stones in Glass Houses – flute, clarinet, oboe, violin I, II, cello, vibraphone, bass guitar, live electronics. Performed in Middleton Hall, Hull. In the Age… Continue reading
Eavesdropping is an interactive installation designed to encourage reflection on our very human understandings of nature and its sonic landscape. Suspended in a tree, the sculpture presents samples of environmental sound and noises that… Continue reading
Music in the Shape of a Cube is a contextual remix wherein environmental factors are used to create a site-specific participatory rendition of Philip Glass’s similarly named piece Music in the Shape of… Continue reading
The Paths We Tread is an outdoor interactive sound installation constructed with telephones and a giant hopscotch board which presents stories of the earth trodden over by potentially thousands of people throughout history. The… Continue reading
This is a series of paintings I’m working on which explores constructions of gender and objecthood. I also produce hip hop under the pseudonym of Dolly Mix alongside this imagery. Please see… Continue reading
On Saturday 31 August I went to the seaside town of Walton-on-the-Naze on the East coast to install Eavesdropping. It was part of a sculpture trail along the sea front organised by St-art… Continue reading
